Slow Slow Loris is a duo whose industrial noise melodies merge with the visceral avant-garde to create epic and delicate storms of sound that worship the unknown, a sonic sorcery through voice and electronics. Based in both Berlin and the US, they have released albums on Cloister Recordings, Zaetraom, & Staaltape and have toured  Europe, Russia, and the USA. 

“The animal slow loris is an endangered species. It is believed to be the gatekeepers for the heavens and is used in traditional medicine to ward off evil, but a slow loris is continually seeing ghosts, that is why it hides its face in its hands.”

Saturday held the festival’s emotional center. … SLOW SLOW LORIS opened with a performance as delicate as it was intense - hushed drones, whispered vocals, and small electronic fractures that felt like listening to someone’s dreams in real time. SLOW SLOW LORIS explore the borderland between Noise, Ambient, and performance art … creating an atmosphere of intimacy and dreamlike tension. Known for their subtle yet emotionally charged performances, they transform fragility into strength through sound and silence. They appeared like silhouettes in a fog of dim blue light, crafting a sound that hovered between drone, melody, and memory. Their performance was poetry in vibration: delicate yet intense, as though every note was a secret revealed in slow motion. SLOW SLOW LORIS blur the boundary between noise and tenderness. Their sound is a creature of fragile beauty - layers of drone, whispered voices, broken harmonies, and textures that shimmer like static-laced lullabies. It’s music that feels both tactile and ephemeral, as if it might dissolve if you listen too closely. Their Wroclaw performance was a rare alignment of emotional and sonic precision. You could sense the dialogue between them - every tone a question, every resonance an answer. It was experimental music that refused to be sterile, alive with human vulnerability and warmth. There were moments when it felt almost too intimate to witness, as though we had stumbled into someone’s private ritual of sound. The audience was entranced, swaying gently, absorbed in the quiet storm unfolding before them. When the final frequency faded, what remained was not emptiness, but a strange, luminous peace. The project offered one of the most poetic and sonically beautiful experiences of the entire festival - proof that fragility, when performed with courage, can be the strongest force of all. XXIV Wroclaw Industrial Festival Review in Reflections of Darkness Music Magazine by Karo Kratochwil 2025

"An epic, sweeping live performance using vocal melodies, samples, various instruments, live looping and multiple pedal chains to coax the music out of the noise. They enter raw emotional imagination to give the nuances of one`s subconscious permission to come forth...a sensitive blend of music meeting noise, reaching a wide range of audiences and venues from clubs and festival stages to concert halls and art galleries."

“You guys wanna hear something beautiful and gleefully insane? Check them out! Gorgeous and hypnotic moments would give way into complete sonic carnage and it flowed so beautifully. Just absolutely blew me away.” Leland Vandermeulen, musician on FB about the US Tour 2015

“sophisticated and structured ambient noise, consisting of unobtrusive but inescapable electronic layers of imminent unease that come along with an increasing liturgical female voice and slowly evolving structured noise, announcing and shaping the portals to an ominous king/queen-dom” Zeatraom, Tesco Organisation

“...you envision a futuristic city full of dark alleys and shining galaxies, high-tech skyscrapers and industrial wasteland...” Rinus van Alebeek of Staaltape

“There is a fine element of repetition in this music; a cold and clinical bang, reminding this listener of the cassettes he heard in the 80s. Slow Slow Loris is an ancestor to that old school industrial sound… dark synth-heavy industrial pop noir. Powerful!” Frans de Waard of Vital Weekly

Tom Murphy, Westword Magazine Denver Colorado U.S.A

Tom Murphy, Westword Magazine Denver Colorado U.S.A

more Comments:

“Lost music from Atlantis”

“Like Homer’s Odyssey” Laura, London

“Totally unique and therefor impossible to categorize” Dave, Berlin

“Sounds like a sick lullaby in nuclear fallout” someone on twitter 2016


NEWS:

NEWS:

May Mid West Tout 2026

see you at Wroclaw Festival XXIV

UK TOUR September

USA Spring 2025

Autumn North America & Europe Tour

New e-mail is:

slowslowlorisband@gmail.com

 ANY (angela nina yeowell) transmits data through voice and noise music. Along with processed samples, she plays broken melodies on misshapen instruments, and sings to the resulting waves of intensity and silence, boredom and splendor.  Her espionage of the sub-conscious can sometimes result in visuals, such as the creation of, and performance with non-musical instruments and sonic costumes.

For eight years, she was a professional classical dancer in Europe and the USA, before she transitioned into creating interdisciplinary performance art pieces and noise music, under the name of Ballerina Eight. She has two Master’s degrees, one in choreography from the University of Colorado at Boulder and one in sound art from the University of London. She performed extensively in the U.S. and was a professor of movement and vocal improvisation before relocating to Berlin in 2008, where she primarily performs and researches the sonic body as ANY (anonymous neutral yonder).

G6PD (Robert Heim) shapes sculptures of sound with unpredictable outcomes, like subconsciously painting emotions. With a non-conceptual, experimental approach, he uses and abuses audio, destroys song structures and music styles, and collages unexpected tunes that often lead into a sonic weird deep electro-acoustic mess.

For four years he provided the sound for OKO, an audio-visual drone-noise hybrid, performing multimedia concerts and releasing 5730±40 on Land of Decay. During this time, G6PD became more of a studio recording artist, as well as producing and doing recording jobs for different musicians, which prompted him to upgrade his studio skills that began with 4 track tapes in the early 90`s. He was 15 when he started the local punk band and then via different new wave, industrial and electro projects, he moved on to goa trance INDRA DANUSH, dark psy techno trance SPICE PAX and dubby ambient ARCO BALENO. After burning out on the club scene 15 years ago, he gave rise to G6PD.